Tuesday, January 26, 2010

Drawing Observing Seeing and Learning




Natural Languages        
Verbal = talking, singing,  
Kinaesthetic = the body – movment, dance
Visual = mark making seeing/ drawing

These languages, or intelligences are essentially communicating tools or connecting tools. Consider mark making or in its early state; scribbling …. it becomes drawing/ writing and these grow in sophistication with practise. Similarly, fine motor skills, the ability to verbalise complex ideas etc develop. Without practise, these abilities do not grow.  If we practice writing, swimming, playing an instrument etc our skills grow – it is the same with art making.



We approach visual art as an education tool. In essence art is about seeing – the physical act of seeing and also in the sense of making sense of the world… when we make sense of something we fit it into our growing understanding of our world … we say ‘I see’ when we create those networks of understanding in our minds and when links are made in this way, our brain actually grows.



Art is most closely linked to Science – it is an investigation tool for learning. It involves the student in learning to see; making meaning from what is seen, making tangible images and objects that communicate ideas to herself and others. It is a feedback loop, and because we think in images and we think in words, in Art lessons teachers encourage students to make, talk about and present their work. As they move through the school, this is extended into keeping a Visual Diary where students reflect on the process of making Art. 


Art is a visual language. 
It has a vocabulary and a grammar. However, unlike the written word, it is about seeing the whole at once rather than creating a narrative.

Imagination is no mere ornament, nor is art.'  Eisner 
Elliot Eisner is a revered art educator – he is Professor of Education and Art Stanford University and Chair, Curriculum Studies & Teacher Education. His book: The Arts and the Creation of Mind, Yale University Press,2002  is an excellent resource for understanding how children learn through the arts. Eisner came up with 7 modes of thinking, in advance of Gardner’s Multiple Intelligences and he worked with Gardner in forming his theory.


The following is from an essay by Marvin Bartel, Ed.D. © 2003
Visual observation is believed to be in the domain of the right side of the brain. Intuitive and creative thinking are also believed to be in the domain of the right brain.  The left brain deals with the rational, the alphabet, numerals, and so on.  Left brain thinking is linear - one thing after another. The right brain processes everything at once.


A sensitive man's lessons on how to draw influenced by Betty Edwards' Drawing on the Right Side of the Brain




Lessons without limitations are not very effective.  Without limitations, students are prone to fall back on easy left brain habits and fail to practice new or difficult skills.  We naturally avoid the risk of doing the unknown unless a good teacher assures us that the new way can help us grow.  Well planned lesson limitations make it harder for the left brain to dominate while encouraging the right brian to practice.  On the other hand, children who are encouraged and limited to follow patterns, color in other people's lines, do copy work, or assemble pre designed projects are learning skills that would be desirable in a society that needs lots of slaves.  Teaching from "how to draw it"  books and by assigning copywork and patterns can be done by clerks.  Anybody can handout handwork.  In a society that needs self-motivated decision makers, their students will grow up to suffer "learned helplessness".  Good lesson limitations require individual learning of new skills, compositional and content choice making, challenging thinking tasks, and prohibition of stereotyping and prejudices.  See this link for more ideas on making it harder for the left brain to prevent the education of the right brain.

Sunday, January 17, 2010

Global Learning Environments for Neo-Millenials



"I just wish I had a projector on my head and you had a screen on yours and then you would understand what I am trying to tell you” (9 year old)

Chris Jordan
Does the medium matter?

follow the link to see the importance of the materials Jordan has chosen to use 
http://www.chrisjordan.com
 

Technology facilitates deeper engagement for the non-sequential learner

Rationale: Learning styles ~ The Non-Linear Learner 
A large percentage of our girls are visual spatial learners and this impacts on the way they engage in our classes.  Howard Gardner begins with the premise that each of us has an array of intelligences, each of equal value but differently developed, with which we make meaning of the world. If we can understand that people perceive things differently, it goes along way towards understanding how girls learn in our classrooms.

Body Kinaesthetic learning, Aural, Visual Spatial, Interpersonal. Naturalistic, Verbal/Linguistic, Intrapersonal are all ‘ways into’ understanding. The senses feed our perception of the world in which we live; through sensing; feeling, moving, hearing, smelling, touching, tasting and seeing we can enhance our awareness of the world.

Thinking in images is a powerful tool - 1/3 of the population thinks in images. Images are WHOLE messages in one, they contain meaning and they make meaning. Most school subjects are geared to 'instruct' PART to WHOLE - a way of thinking about learning that negates the experiences of about 1/3 of students, according to Linda Silverman. To make an image or read an image requires a certain ability to trust the instincts.
Ref Silverman, L. Upside-Down Brilliance: The Visual-Spatial Learner

In From sequential to global: Exploring the landscapes of neomillennial*learners Julie Willems has this to say; "... educators and designers should consider creating balanced learning environments which include
both sequential and global learning opportunities for neomillennials ..." 

* neo-millennials - born after 1994  involved in immersive e-learning environments

Julie Willems School of Humanities, Communications and Social Sciences, Faculty of Arts Monash University
Educational Tools used across the Visual Arts Faculty  
The Blog
Courtney Martin

Staff links to Professional Reading etc
Other Ways of Knowing Blog ~ Visual Intelligence

The Wiki
arti  ~ www.arti.pbwiki.com

Website
Blackboard
Youtube publishing 
iTunes

Examples from the various Year Levels
Year 7
Smartboard as Drawing board … its all about the markmaking
Using the Smartboard ~ music, sounds, marks
Synaesthesia links in Blackboard
Music, visuals, artworks 



Year 8
Photoshop and other play things - making 'self dolls' photograph them and place into new virtual environments
Gardner's Multiple Intelligence Test to learn about themself    Test

example: Brittany Croft's Graph

Year 9
Research, Reflection and Resolution tools on Blackboard

Queensland Art Gallery Ed Resources

Powerpoint to inspire with examples for 'my little book of jewels' artist book

Year 10
Blackboard

Year 11
Synaesthesia examples ~ student work
podcasts eg Nadia
Self Knowledge tools Myers Briggs 
iTunes - synaesthesia music

Year 12
Sze Sze and Christina's analysis and interpretation of their digital Bodies of Work
Presentation of submissions to QSA

Bill Viola ~ Ocean without a Shore (information)